Ek Deewane Ki Deewaniyat Movie Review (2025): Harshvardhan Rane & Sonam Bajwa Star In A Toxic Tale Disguised As Love!
Rating: ⭐⭐☆☆☆ (1.5/5)
Star Cast: Harshvardhan Rane, Sonam Bajwa, Sachin Khedekar
Director: Milap Milan Zaveri
Genre: Romantic Drama / Psychological Thriller
Language: Hindi
Runtime: 142 Minutes
Available On: Theatrical Release
Introduction: Love Or Obsession? The Line Blurs In Ek Deewane Ki Deewaniyat
Harshvardhan Rane and Sonam Bajwa return to the big screen with Ek Deewane Ki Deewaniyat, a film that tries to celebrate love but ends up romanticizing obsession. Directed by Milap Milan Zaveri, the movie walks a thin line between romance and red flag, but sadly, falls deep into the latter.
In a time when Bollywood is experimenting with mature and healthy relationships on screen, Ek Deewane Ki Deewaniyat feels like a time capsule from the 90s — drenched in toxic masculinity, obsession, and emotional manipulation, all wrapped up as pyaar.
Let’s dive into this detailed Ek Deewane Ki Deewaniyat Movie Review and see why this so-called “romantic drama” ends up being a cautionary tale instead.
Story: Modern-Day Darr Meets Tere Naam – But Without The Soul
The story revolves around Vikram Aditya Gokhale (Harshvardhan Rane) — a powerful, arrogant, and wealthy young man who is being groomed to become the next Chief Minister under the shadow of his influential father (played by Sachin Khedekar).
Vikram believes money and power can buy everything — including love. But his life takes a sharp turn when he sees Adaa (Sonam Bajwa) — a stunning, glamorous actress who wanted to be an artist but ended up becoming a star. One glimpse of her is enough for Vikram to fall “madly in love.”
From that moment, Aditya starts obsessing over her — stalking her, chasing her, and trying to win her over, mistaking obsession for affection. Adaa, on the other hand, clearly states that what he feels is lust, not love. But he refuses to back off.
As the story progresses, the film becomes a cycle of toxic pursuit and delusional passion, where the hero calls his obsession “ishq” and the audience is expected to sympathize. The second half tries to fix things with a “redemption arc,” but by then, it’s too late.
Instead of being a moving romantic saga, the movie becomes a reminder of why we need to stop glorifying one-sided, forceful love stories.
Script & Screenplay: Problematic Plot Disguised As Passion
If you were expecting a heart-touching love story, prepare yourself for a shock. The script of Ek Deewane Ki Deewaniyat feels like it’s stuck in an old-school Bollywood loop — where stalking equals love, obsession equals passion, and “no” is taken as “try harder.”
It’s hard to believe this is a 2025 film when its ideas about romance seem two decades behind.
The writing tries to merge the essence of Darr, Tere Naam, and RHTDM, but ends up copying the worst parts of all three — the unhealthy fixation, the glorified toxicity, and the emotional manipulation.
There are scenes that will genuinely make you uncomfortable — not because they’re powerful, but because they normalize disturbing behavior under the label of love.
For instance, Vikram’s constant pursuit of Adaa is shot as if he’s a tragic hero, when in reality, he’s the villain of his own story.
Dialogues like “Jo tu paar kar raha hai wo har hadd ki hadd hai!” sound dramatic but add no real depth. The screenplay keeps circling the same idea — “boy loves girl, girl says no, boy still chases” — without any growth or realization.
Even when Adaa tries to take charge in the second half, the damage is already done. By the climax, the story turns into an unbearable emotional circus.
Performances: Beauty Can’t Save A Broken Story
Harshvardhan Rane As Vikram Aditya
Harshvardhan Rane looks intense and charming, no doubt. But good looks can’t save a character that’s written so poorly. His version of love feels more like possession, and despite his efforts, the audience struggles to empathize with him.
Harshvardhan has the screen presence to play a powerful lover, but here he’s stuck in a loop of irrational, angry, and emotionally unstable behavior. It’s frustrating to watch a talented actor wasted like this.
Sonam Bajwa As Adaa
Sonam Bajwa is stunning and graceful — easily the best thing about this film. Her character initially seems strong and sensible, calling out toxic behavior for what it is. However, the writing fails her too.
In the second half, she’s forced into confusing emotional decisions that contradict her earlier stance. Still, Sonam manages to bring dignity to an otherwise messy script.
Supporting Cast
Sachin Khedekar brings gravitas as Vikram’s father, though his role is limited. The rest of the cast barely leaves a mark, mainly because the film doesn’t give them much to do.
Direction: Milap Milan Zaveri Misses The Mark
Director Milap Milan Zaveri, known for his massy, dialogue-heavy style (Satyameva Jayate, Marjaavaan), once again tries to create a larger-than-life love story — but this time, it backfires.
He confuses toxicity with intensity, and possession with passion. While the first half keeps you mildly engaged thanks to the visuals and chemistry between the leads, the second half spirals into chaos.
The tone keeps shifting — from political drama to romance to psychological breakdown — leaving the viewer confused about what exactly the movie wants to be.
If there’s one thing Zaveri does right, it’s the glossy presentation — the film looks grand, the sets are lavish, and every frame screams “Bollywood glamour.” But beneath the surface, it’s hollow.
Music & Background Score: Catchy But Contradictory
Music by Tanishk Bagchi and Mithoon gives the movie its emotional backbone — at least for a while. Songs like “Ishq Ka Junoon” and “Adaa Se Milke” are melodious and beautifully shot, but they unintentionally romanticize unhealthy emotions.
The background score, heavy on violins and melancholy tunes, makes even the disturbing scenes feel poetic — which is dangerous, because it blurs the line between right and wrong in the audience’s mind.
Cinematography & Editing: Glossy But Overdone
The cinematography by Ravi K. Chandran is rich and cinematic — from city skylines to beach montages, every shot looks picture-perfect. The lighting highlights the passion, but at times feels over-stylized, making the film look like an extended perfume commercial.
The editing could have been sharper — at 142 minutes, the film feels unnecessarily long. The same scenes and emotions keep repeating, making the experience exhausting.
Dialogues: Old-School Drama, No New Thought
Milap Zaveri’s dialogues are known for their punch, but here, they feel outdated. Lines like “Main duniya ka pehla villain hoga jo khud heroine ko ghar chhod ke aayega” sound clever but lack emotional depth.
There’s an attempt to add poetic flair, but the writing constantly glorifies obsession as love. Instead of sparking empathy, it provokes eye-rolls.
Hidden Message (Intent vs Impact)
Maybe, deep down, Milap wanted to show how toxic love ruins lives, but the storytelling confuses intent with impact. Instead of condemning obsession, the movie accidentally glorifies it.
There’s a fine line between portraying obsession and justifying it — and Ek Deewane Ki Deewaniyat crosses that line multiple times.
It’s the kind of film that younger audiences might misinterpret as “passionate love,” which makes it even more concerning.
Final Verdict: Ek Deewane Ki Deewaniyat Is A Lesson On What Love Should NOT Be
At its core, Ek Deewane Ki Deewaniyat is not a love story — it’s a cautionary tale. It shows what happens when infatuation turns into obsession, and when filmmakers mistake toxicity for intensity.
Despite decent performances and great visuals, the film collapses under its confused messaging and problematic writing.
If you’re a fan of deep, meaningful romance — skip this one. Watch it only if you want to see how not to write a love story in 2025.
Verdict: A toxic tale wrapped in beautiful packaging.
Rating: ⭐⭐☆☆☆ (1.5/5)
